And then they all appear on Oshiri Kajiri Mushi instead.
Name:
Anonymous2012-10-01 14:23
>KickHeart appears on Kickstarter
>Two days later, it's picked up by Reddit, Gaia, Crunchyroll, anime normalfags
>Suddenly, money, money everywhere
>200% of goal
>KickHeart released
>Wins awards at indie shows
>Yuasa goes to Production I.G. CEO, posits a full KickHeart series expanding on the oneshot, every episode paid for by crowdsourcing
>Two years later
>All studios crowdsource at least one anime a year, releases are slower because each episode is funded independently but quality goes up dramatically because there's less production risk involved
>KyoAni puts a new Kickstarter up
>Haruhi S3
>1000% of funding goal
>Cancer, AIDS cured, scientists quoted 'just clearing the schedule so we'll have time to watch the Haruhi premier'
>Part of the first episode is leaked
>Best quality animation KyoAni has done yet
>Ishihara hailed as the second coming of Jesus
>The day of the first episode
>/a/ is silent in anticipation, all shitposting has ceased
>Ishihara raises his arm, then drops it.
>Haruhi download links are published
>Episode starts
>Hear 'We've decided to reboot the Haruhi franchise'
>It's a remake of Endless Eight
What Yamakan would be like if he was never fired from Lucky Star?
Name:
Anonymous2012-10-01 15:11
he probably wouldn't be as bitter
Name:
Anonymous2012-10-01 15:43
I'm thinking about this kickstarter project and wondering what the long-term goal is. One of the stated goals is the funding to submit the work to festivals. Japan has an "independent" animation industry centered around festival screenings of work that would have no appeal to "anime" viewers. Yet Yuasa's was made in the "anime" industry and not the "independent" industry. A 10 minute work by Yuasa doesn't have huge commercial appeal even if it could make its money back on DVD/BD somehow so investors in the "anime" industry would be wary and rather invest their money in something else. But by submitting the work to various international festivals Yuasa's name would rise in the world of "independent" animation and it's possible that his future projects would find its investors there.
Which could mean that there is no longer room for someone like Yuasa in the world of "anime".
Wasn't the last Shinchan anime he worked on just a TV special?
Name:
Anonymous2012-10-01 17:26
>>783
>クレヨンしんちゃん SHIN-MEN（TVSP/2010） 監督 OP作詞 絵コンテ 1話 2話 3話 4話 5話 演出 1話 2話 4話 5話 作画監督 1話 2話 5話
You are correct sir.
I saw it earlier today and assumed it was a TV show since there were lots of episodes credited.
Name:
Anonymous2012-10-01 17:43
>>781
So he's gonna be like Kunio Katou or Koji Yamamura who release their work once in a blue moon?
>>793
Like the Gon vs Hisoka scenes: The 2012 version suffers from having some overly "sakuga" shots. I appreciate the subtlety of the older version. On the flip side, the newer version has some better layouts thanks to being in widescreen.
Yes but that's the only thing that warranted it. Most of KyoAni's animations are low key and subtle in animation. They don't need such over the top wackiness that Nichijou enabled.
Anyway what I'm trying to say is that people have been spoiled. Some of them don't appreciate anymore and instead call something that's over the top expressive as something that's good.