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Animation Appreciation Thread #5

Name: Anonymous 2012-08-30 10:42

Name: Anonymous 2012-09-29 19:06

>>638 that would make sense. What if he was talking about some guys from Tekkon & Yuasa films? Maybe he ment Nobutake Ito, he worked with him on Apollon #7 on the same scene.

Name: Anonymous 2012-09-29 19:25

>>618

ARE YOU FOR REAL?

WHY NO NICHIJOU KYOANI!?

I-I'm... n-not.. b-buying.. this shit.

Name: Anonymous 2012-09-29 19:29

>>642
Because they are embarrassed by Nichijou's sales and will now pretend it never existed

Name: Anonymous 2012-09-29 19:43

>>642

KyoAni tying our panties in a knot.

In any case any other interesting shows that have a genga book that I can get?

Name: Anonymous 2012-09-29 19:44

>>644
Star Driver, or the latest FMA movie?

Name: Anonymous 2012-09-29 19:59

https://twitter.com/bahijd/status/252193308481310721
>after watching the film, I'm pretty sure this scene was animated by Toshiyuki Inoue 井上俊之さん http://25.media.tumblr.com/tumblr_mb4y2uP2xW1qanw3wo1_400.gif

I didn't even knew that Inoue worked on the movie. I mean Inoue and Hosoda, what the hell.
it's kind of strange.

Name: Anonymous 2012-09-29 20:07

Inoue animated a considerable chunk of ookami kodomo

now if only it were 2013 already the BD was out

what other anime movies are you guys looking forward to? A Letter to Momo and Blood C: Za Rasto Daaku for me. I.G sure was busy this year

Name: Anonymous 2012-09-29 20:50

>>646
Inoue did more than 100 cuts on the film.

Name: Anonymous 2012-09-29 20:59

>>642

They just hate us.
Hell, they didn't even make genga books for K-on ss2.

Name: Anonymous 2012-09-29 21:09

Name: Anonymous 2012-09-29 21:12

I'm fairly certain that Shingo Yamashita did that running bit towards the end of Sacred 7 ep 9. Looked like his effects anyway, especially when MC was in the air.

Name: Anonymous 2012-09-29 21:22

Name: Anonymous 2012-09-29 21:24

Name: Anonymous 2012-09-29 22:17

>>645

Thanks. Any other suggestions aside from those?

Name: Anonymous 2012-09-30 0:52

Name: Anonymous 2012-09-30 1:06

hmm speaking of Shingo Yamashita, his cut in Shin Sekai Yori #1 was great, his style is getting more nuanced

Name: Anonymous 2012-09-30 1:21

>>627

It's the Young Animator Training Project.

Name: Anonymous 2012-09-30 3:49

>>653
dat sideboob

Name: Anonymous 2012-09-30 5:08

Name: Anonymous 2012-09-30 5:11

>>659
Otaku pandering shit

Name: Anonymous 2012-09-30 5:13

>>660
>Otaku pandering shit that will save anime

FTFY

Name: Anonymous 2012-09-30 5:20

SHAFT ruined sakuga, Yamakan agreed.

>The lack of originality and the desire for exclusivity by the fandom has created a highly transparent industry. Mr Yamamoto affirms that the creators and the fans are “too close.” This is the biggest reason behind the isolation of the anime industry. The creators feel too obligated to please their fans, and the fans naturally expect the creators of anime to cater to them specifically, as opposed to society at large. This negative feedback loop simply exacerbates the problem over time, and now we have an industry that has boxed itself into a dead end.

>He goes on to cite Shinbo of Shaft as one of the prime suspects of this type of exclusive humor. Instead of striving to satisfy one particular niche repeatedly, says Yamamoto, anime directors should allow everyone to enjoy their works equally. References and homages to other anime should be inserted in a way that is both subtle and unobstructive, serving as an “Easter egg” for die-hard fans. Allowing references and parodies to become the main vehicle of humor dramatically diminishes the amount of people that are able to watch and enjoy a certain show.
>"Nowadays, good animation doesn't good sales, most otakus barely even notice good animation quality, only sakuga fags happy to see animation
>For example, Denno Coil and Birdy: Decode sale fail to live up to sakuga fags's hype, compare to Bakemonogatari win the Otaku market." he said.

Name: Anonymous 2012-09-30 5:23

>"Nowadays, good animation doesn't good sales, most otakus barely even notice good animation quality, only sakuga fags happy to see animation


Ain't that the sad truth

Name: Anonymous 2012-09-30 5:40

Name: Anonymous 2012-09-30 5:59

>>664
At which point in time does the trailer start?

Name: Anonymous 2012-09-30 6:20

>>665
2.20

Name: Anonymous 2012-09-30 6:46

>>649

I think there was a book for K-ON s2 which included the storyboard. It was posted on /a/ back then.

Name: Anonymous 2012-09-30 6:52

The page has been updated so anything new is probably also available here
http://www.project-magi.com/movie/index.html

With both Shin Sekai Yori and Magi A1 is on a roll

Name: Anonymous 2012-09-30 6:54

>>667

They are trading cards and dont even have complete animation cut
http://www.kyotoanimation.co.jp/kyocolle/

Name: Anonymous 2012-09-30 7:01

>>669
>trading cards

Seriously, KyoAni?

Name: Anonymous 2012-09-30 7:41

Name: Anonymous 2012-09-30 8:06

Shin Sekai Yori #1
Kubota as an animation director
Mamoru Sasaki, Hirokazu Kojima, Takashi Kojima, Megumi Kouno, Many Gainax animators and Shingo Yamashita.

Kouno part?
http://imageshack.us/a/img338/2841/ftnwkouno.jpg

Name: Anonymous 2012-09-30 8:55

>>670
They merchandised the shit out of K-On. They made a bazillion dollars from it all.

Name: Anonymous 2012-09-30 9:01

Kou Yoshinari worked on the Oshiri Kajiri Mushi Opening.

Name: Anonymous 2012-09-30 9:12

>>674
Hahaha, are you for real? Aninari on a show inspired by a popular song about butt biting bugs, who'd have thought.

Name: Anonymous 2012-09-30 13:15

Sakuga Fall is actually not a disappointment

who would have thought

Name: Anonymous 2012-09-30 13:45

>>676
I've only seen Shin Sekai Yori, what else is there so far?

Name: Anonymous 2012-09-30 13:50

>>677
Chunni and K.

Name: Anonymous 2012-09-30 13:50

>>677

BTOOOM?

Name: Anonymous 2012-09-30 13:58

>>676
Shinsekai Yori's animation was solid, so that's a good start. Now K and Chuunbyou are the other 2 shows where I have expectations of the animation. I'm actually interested in Psycho-Pass too, but I'm not sure what to expect, animation-wise.

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