Space Dandy PV looks also pretty consistent for all the talk about total freedom.
total freedom
Only Bahi said he has total freedom, that's when the talk started and people got confused and thought the whole show was confirmed for total freedom.
His animation is not in the trailer.
Space Dandy PV looks also pretty consistent
I think it's a mix. Dandy has very different type of facial expressions.
He looks different in each cut of the PV, specially when you compare them all with the last show of his face and that thick neck.
Also Yuasa is on board, consistency will be dead when his episode airs.
I don't understand. Is the post you quoted a trollpost?
Posting a handful gifs in three different posts is spam at least - one post would be more than enough.
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Anonymous2013-08-31 11:42
>>898
I don't think Ito animates stuff like that. I support the Hisashi Mori theory.
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Anonymous2013-08-31 11:50
Is this really that important who animated something?
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Anonymous2013-08-31 11:53
Well KLK looks cheap as fuck. No, not "Imaishi-style" (like he has a style), not Kanada-style. It looks fucking cheap. Money, not aesthetics dictated the manner in which those cuts were animated. This is why Kanada is a shit. Kanada style animation nowadays is just like "cartoon network's" new series (if Adventure Time isn't animated like shit, I don't know what is - fucking full animation as in full of shit), a copy of a copy made by a shithead who has no fucking clue what he's doing.
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Anonymous2013-08-31 11:54
>>899
As far as I know, this part should be from Yutapon too:
>>904
I'm okay with that, but I was actually speaking about the early parts in the cut. There's some Namaura's shadings but that each animator can draw. No special choregraphical style, I mean. The same goes for the gun shoot scene.
Thanks for the precisions.
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Anonymous2013-08-31 12:04
>>903 Kanada style animation nowadays is just like "cartoon network's" new series (if Adventure Time isn't animated like shit, I don't know what is - fucking full animation as in full of shit), a copy of a copy made by a shithead who has no fucking clue what he's doing.
Might be related. Miyazaki on Kanada: The work of a great animator can only be drawn by that animator. Every element of a piece of animation - in other words, the technique providing the foundation for that piece of animation - is the product of the innate sensibility of that particular animator, which is something unique to that animator.
Very few animators have a firm grasp of how weight, momentum and acceleration affect the properties of objects, and are able to instinctively visualize in their heads how a movement might play out in space. Even fewer are able to not only do this, but go beyond logic, integrating physics with instinct to create animation that can't be explained but that simply works in the eyes of the viewers. The ability to create animation that works comes from first achieving mastery of how the laws of physics such as weight and momentum work, and then going beyond those rules - saying to yourself, "Drawing it this way would feel better", and drawing it based on that feeling. It's a mistake to think that his style can be mimicked simply by surface imitation of his crazy poses and rough drawings.
>>910
Sushio is an amazing animator but Kill La Kill seems to be blemished by skill-less USP/Aniplex affiliated freelancers and inexperienced Trigger animators.
Which cuts of the 30s CM were skill-less animated?
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Anonymous2013-08-31 16:22
Imaishi is a one hit wonder that's been remaking Dead Leaves over and over. I still don't get why anyone would think Kill la Kill would/will be noteworthy. I'm looking over his stuff now and creatively I see no progress. I still like his stuff in FLCL the most, because it was really exaggerated, almost a parody of Kanada in a way. After the crap that was Panty & Stocking (flash animation? really?) I lost any kind of "trust" in the Imaishi crew. It's kind of amusing to see everyone underwhelmed by the Kill la Kill preview to be honest.
It's 30 seconds, but how much better will the real deal be? If TTGL is any indication, not much better. They'll blow their stuff on some set-piece in episode X, and will slap some shit together to fill the cracks in episodes Y and Z. That's the old school thing to do, and Imaishi is old school: "Meh", I say.
Not him, but the few animated cuts that were in that PV were all just standard loops or standard posing. A few guys here were apparently slightly impressed by that scissor spin cut at the end, but I really don't see it. It's so deja vu I can't even tell how many times pr when was the first time I've seen that kind of cycle.
It's all apt, but very bland. Yes, it's just 30s, but...
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Anonymous2013-08-31 16:37
>>876
>0:11 random "I have no idea how hair moves" animation
...dude, are you blind? Her hair is being blown by a fucking helicopter helix spinning around.
>>913
>It's kind of amusing to see everyone underwhelmed by the Kill la Kill preview to be honest.