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Animation refuge thread # 3

Name: Anonymous 2013-06-09 2:15

Previous Thread #16: https://dis.4chan.org/read/anime/1370617198/1-40
Older Threads: http://pastebin.com/U3Y39LmN


The Sakuga Wiki [JP] - http://www18.atwiki.jp/sakuga/
Good Animation Blog - http://www.pelleas.net/aniTOP/
Other websites: http://pastebin.com/q0saM3Qi
Animation on Twitter, Tumblr and Youtube:
http://pastebin.com/uQzADdcz

IRC channel:
#sakuga @ irc.rizon.net

Name: Anonymous 2013-07-12 11:15

>>560
It's okay, seems to be fake. Ufo seems to have only provided more details of Mirai Fukuin, nothing about a F/SN remake.

Name: Anonymous 2013-07-12 11:17

I hope they get one of those project partnerships again so that Takeuchi can do another solo episode.

Name: Anonymous 2013-07-12 11:20

>>562
Enjoy you're Takeuchi sakuga at Asread lol

Name: Anonymous 2013-07-12 11:22

>>558
I'm stating my own opinion. If you disagree with it that's fine.

its just (good) animation. End of story.
You attack me for coming up with "my own definition of sakuga", yet you do the same exact thing. Moreover, you talk like your opinion is the universal truth. How big of an hypocrite are you?

Name: Anonymous 2013-07-12 11:25

Best sakuga definition coming through:
Nowadays, when we refer to sakuga, we're talking about individual, well-choreographed segments usually headed by one animator. It doesn't just mean good animation.

Name: Anonymous 2013-07-12 11:33

Name: Anonymous 2013-07-12 11:36

Naruto Suck !

Name: Anonymous 2013-07-12 11:36

>>559
great, more wannabe ufotable sakuga obscured by shitty filters incoming

Name: Anonymous 2013-07-12 12:20

Atsushi Wakabayashi and Seiya Numata are co-storyboarding Symphogear G ep. 3.

Name: Anonymous 2013-07-12 13:55

>>569
Can we expect something out of that, or will it be like the recent Naruto episode storyboarded by Atsushi Wakabayashi that didn't turn out to be anything special at all?

Name: Anonymous 2013-07-12 14:29

>>570
rather the latter thing

Name: Anonymous 2013-07-12 15:46

>>568
Ufotable are the best when it comes to filters.
Sakuga scenes with them looks nice.

Name: Anonymous 2013-07-12 15:59

>>572
Yeah, all 3 of them.

Name: Anonymous 2013-07-12 21:21

http://i.imgur.com/nJs0WaG.jpg

12 ADs in Gatchaman Crowds #1...with Shingo Yamashita among them

Name: Anonymous 2013-07-12 21:39

>>574
So that's basically 2 minutes of stuff that kinda looks Shingo Yamashita?
I'm actually surprised they went with him as an AD, he's definitely not known for his on-model drawings.

Name: Anonymous 2013-07-12 21:45

>>575
Maybe it's because Yamashita's at Tatsunoko now so Nakamura just got him to help out on Gatchaman. That show will need all the help it can get, having 12 ADs in the first episode isn't a good signs at all. I wonder if it's a normal occurrence for Nakamura shows to have shit scheduling, I know C's was rubbish but I'm not sure about Tsuritama, didn't watch that one.

Name: Anonymous 2013-07-12 21:49

Yeah, 12 ADs is definitely not a good sign at all. You have to wonder what's even the point of having an AD at that point.

Name: Anonymous 2013-07-13 4:14

Remember when anime episodes used to have a single AD, 2 at most of it was a mecha show.

Name: Anonymous 2013-07-13 4:52

>>578

animators suck these days.
The more ADs, the worst the key-animators.

It's because right now we are at this stage in the anime industry were senior animators are running out and the young animators are too weak.

So they need all the middle aged senior animators to work as AD to support the young animators.

Name: Anonymous 2013-07-13 4:54

>>579
so it's the beginning of a totally new generation of animators and they suck.

It's like the late 70s right now.

Give them 15 years (1985), we will have awesome animators in 2033.

Name: Anonymous 2013-07-13 5:10

Why can't these newbies be more like Bahi?

Name: Anonymous 2013-07-13 8:32

I think the industry has gotten too big, there is just too much stuff coming out all the time between the actual shows and related things. It's only natural that a lot of untalented, lazy animators are going to be participating in it.

There are still well-crafted projects like always, of course.

Name: Anonymous 2013-07-13 9:45

>>582

Pretty much. The shift to production of TV series as opposed to short OVAs also spreads everyone thin.

Name: Anonymous 2013-07-13 10:18

I think the industry is just going through a very huge change.

Name: Anonymous 2013-07-13 10:21

>>581
There are a few good newbies at Trigger.

But anyway, you guys talking about changes and all this shit.
I think that's all wrong.

It has been like this the whole time.
Animators like Kameda, Inoue, Yamashita and all these guys are RARE!

The industry is not filled with karisuma animators.
There are over 5000 key-animators working in Japan probably and only 100 of them are interesting. The rest is just decent.

So don't expect these 100 people to work on any show.

Name: Anonymous 2013-07-13 10:27

I wish people would stop focusing on general sakuga MADs and do specific animator MADs again.

I need a good Hideki Hamasu MAD again.

Name: Anonymous 2013-07-13 10:42

I miss the monthly sakuga MADs though, lets me see the cool stuff from shows that I didn't care to watch.

Name: Anonymous 2013-07-13 11:49

>>585
THIS

Name: Anonymous 2013-07-13 12:03

Name: Anonymous 2013-07-13 12:24

http://www.youtube.com/watch?v=oUUQlAoDkyw

Milky Holmes is a masterpiece.

Name: Anonymous 2013-07-13 12:38

Name: Anonymous 2013-07-13 12:40

>>585

That's true and also natural. We can't go expecting staffs filled only of outstanding people, as it happens on any job sector.

I think the nice thing is that said charisma is also a trait that motivates others. Technically competent animators that maybe lack that kind of uniqueness or personality can benefit from good leadership. And it is possible those renowned and special animators could become the ideal 'sakkan' of the future that bring out the best from such merely "decent" animators.

Of course geniuses are rare, but talent nurtures talent and we can rejoice on the thought of what this few exceptional key animators achieve on their careers and teach to their peers, working along the rest of animators who actually are those sustaining the bulk of that industry.

Name: Anonymous 2013-07-13 14:09

Name: Anonymous 2013-07-13 14:59

>>593

Surprised those cuts aren't filled with white filters, like everything else in that episode.

Name: Anonymous 2013-07-13 19:43

Name: Anonymous 2013-07-13 20:32

>> Hironori Tanaka (田中宏紀) did the transformation scene for Kazanari Tsubasa in Symphogear G #2 (Uncredited?)

Name: Anonymous 2013-07-13 20:43

https://www.youtube.com/watch?v=SxOpp_00t5k

Shingeki OP2 staff: SB/D/AD: Masashi Ishihama, KA: Ishihama, Yasuyuki Ebara, Arifumi Imai, Takuyuki Matsutake, Chikashi Kubota

Not bad at all, Ishihama.

Name: Anonymous 2013-07-13 21:33

>>597
Very well directed, but not as stylish as some of his other opening/endings.

Still way better than the majority of anime OPs from 2013, has to be said.

Name: Anonymous 2013-07-13 22:00

>>585  

So you are in the industry ?

What do you do ?

Name: Anonymous 2013-07-14 10:22

>>599
No I'm just a fan.

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