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Animation Appreciation Refuge Thread #1

Name: Anonymous 2013-01-28 3:53

Now in /carcom/ due to spam

The Sakuga Wiki [JP] - http://www18.atwiki.jp/sakuga/
Good Animation Blog - http://www.pelleas.net/aniTOP/
Other websites: http://pastebin.com/r2Vcy4b2

Animation on Twitter, Tumblr and Youtube:
http://pastebin.com/CQa8wU3q

Older Threads: #1-#10-2 http://pastebin.com/474RAqxr

Name: Anonymous 2013-02-06 17:49

iso was supposed work on psycho pass ?

Name: Anonymous 2013-02-06 18:45

>>197
I heard Ninku was pretty well animated, especially for a show of its length.

Name: Anonymous 2013-02-06 19:06

>>197
I don't know if this is the type of consistency you're looking for, but Yuasa shows tend to be interesting on a weekly basis due to the amount of talent involved.

Name: Anonymous 2013-02-07 1:40

>>197

If you're talking about actual movement then I'll add Xam'd, Soul Eater and Eureka Seven for Bones productions. Gurren Lagann is also pretty good, but it also depends on how much you like the overall aesthetic.

If you're looking for good animation it's better to hunt down OVAs or movies since TV series were mostly meant to be cheap and mass produced.

Name: Anonymous 2013-02-07 3:07

>>204
>>197

FMA:B, Star Driver and RahXephon have also consistently great animation.

Speaking of Star Driver, anyone hyped about the movie?

Name: Anonymous 2013-02-07 3:56

>>199
could someone translate this?

Name: Anonymous 2013-02-07 4:05

This thread seems kind of dead. I wonder if it has to do with the lackluster season or the fact that we moved to /carcom/.

>>196
The episode was kind of weak as a whole, animation-wise. It probably has to do with the sakkan (Seiichi Akitake).
Are the staff listings for the next eps still not out?

Also Yama no Susume is surprising. Great BGs, a lot of Yuusuke Matsuo, it feels like an actual production and then some. Future of anime, etc.

Name: Anonymous 2013-02-07 4:05

>>206
Apparently there's nothing remarkable about that listing, it's all the usual staff.

Name: Anonymous 2013-02-07 4:05

>>208
Is Ogura there?

Name: Anonymous 2013-02-07 4:09

>>209
Nvm, just got off my lazy ass and checked. He is in fact storyboarding episode 21, looking forward to that.

Name: Anonymous 2013-02-07 4:12

>>207
I think we got most of the regular posters here, there's just not much to talk about for the first half of the week.

Name: Anonymous 2013-02-07 4:13

>>210
>>209
Which show are you referring to?

Name: Anonymous 2013-02-07 4:40

>>212
From the new world.

Name: Anonymous 2013-02-07 5:29

Name: Anonymous 2013-02-07 6:06

Name: Anonymous 2013-02-07 6:33

Name: Anonymous 2013-02-07 7:06

Muraki Circus

Name: Anonymous 2013-02-07 8:46

PREPARE YOUR ANUS

Episode 6:
Script: Michiko Yokote
Director/Storyboards: Eisaku Kawanami
Animation Director: Kayo Hikiyama

Episode 7:
Script: Reiko Yoshida
Storyboards:Tatsuya Ishihara/Taichi Ishidate
Director: Hiroko Utsumi
Animation Director: Kazumi Ikeda

Episode 8:
Script: Michiko Yokote
Director/Storyboards: Yasuhiro Takemoto
Animation Director:Chiyoko Ueno

Episode 9:
Script: Reiko Yoshida
Director/Storyboards: Ichiro Miyoshi (Kagami)
Animation Director: Nao Naitou

Name: Anonymous 2013-02-07 8:48

>>218
Looking good.

Name: Anonymous 2013-02-07 8:49

Holy shit..

Ishihara and Ishidate storyboard on 7? It's happening...

Name: Anonymous 2013-02-07 8:50

Episode 9:
Script: Reiko Yoshida
Director/Storyboards: Ichiro Miyoshi (Kagami)
Animation Director: Nao Naitou

OH BOY!

Name: Anonymous 2013-02-07 9:39

What is Okada doing in TRIGGER's show?

Name: Anonymous 2013-02-07 9:40

>>222
just a troll

Name: Anonymous 2013-02-07 9:43

>>222

She worked on BRS and she's popular so they probably asked her to hype that shit up.

Name: Anonymous 2013-02-07 9:57

>>222
The people in that image are just leaving comments about Imaishi and what they expect out of Trigger.

Name: Anonymous 2013-02-07 11:12

this stuff seems directly addressed to you guys!
what do you think

http://thecartdriver.com/why-sakuga-mads-rub-me-the-wrong-way/

a bit long to read.

Name: Anonymous 2013-02-07 11:16

>>216
thanks ! dog fights of E7 were so nice
awesome song too

Name: Anonymous 2013-02-07 11:24

Name: Anonymous 2013-02-07 11:30

>>226

This and that animapple retard make a good couple. That was a waste of time reading that pointless dribble.

Name: Anonymous 2013-02-07 11:31

>>229

*drivel

Great now I think I caught his idiocy.

Name: Anonymous 2013-02-07 11:52

>>226
Old news is old. He's one of those anime fans that tries to make big statements about ~anime~ without actually knowing much. His sakuga rant was all based off wrong/misinformed opinions.

Name: Anonymous 2013-02-07 13:14

>>231
My mommy told me that everyone's opinion was valid.

Name: Anonymous 2013-02-07 13:18

>>232
THEN YOU'RE MOTHER IS WRONG

Name: Anonymous 2013-02-07 13:26

https://www.youtube.com/watch?v=tNXhoXiufGk

I'm not sure what this actually is, but it's a Wit Studio work

Name: Anonymous 2013-02-07 14:04

Name: Anonymous 2013-02-07 14:09

>>231
I see , sorry
yeah it's seems old from 2011
I found that today by chance.

Name: Anonymous 2013-02-07 14:21

>>231
It's interesting to see why people enjoy animation quality.

Do you guys like it because it enhances whatever cut is in, or do you just like the visual pleasure of seeing things moving right?
I (and I'm betting most of this thread) am in the latter camp, but I know many knowledgeable sakugafags that tend to see animation in function of a whole.

Name: Anonymous 2013-02-07 14:52

>>237
I float back and forth between both.

If I am just generally watching a show and the animation is used well enough to enhance a dramatic moment then I simply adore 'sakuga' - at the same time if it is used on something very pointless with no really emphasis I am left confused.

Conversely I also like looking into an animator's past and seeing other works they might have done, even if I end up watching it out of context.

Name: Anonymous 2013-02-07 15:03

>>237
I'm happy to see any instances of good animation, that's all there is to it for me.

Name: Anonymous 2013-02-07 16:46

Psycho-Pass #16's fight scene is probably the best cut in the series yet.

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