Inoue: I used to hate drawing smoke Inoue: I'm serious! Until Akira, for the longest time I couldn't get smoke right no matter how I tried. I actually had an inferiority complex about it. Then around the time I was working on Roujin Z I happened to run across a copy of some smoke animation by Mitsuo Iso, and that gave me the hint I needed.
Obari said when he started drawing characters with more fanservice he noticed the timing of boobs was not that far off from effect and explosion animation. thus he coined the phrase 乳揺れは爆発/"Breast bounces are explosive"
I always thought boob animation resembles more a pudding or waterbaloon
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Anonymous2013-04-19 10:18
shitposting has started
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Anonymous2013-04-19 10:30
>PA WORKS: Yesterday you talked about how you try to keep your personality from showing up in your work. "I can't hide my personality completely, but I try to keep it from being distracting." You're one of the few people who thinks that way.
>Inoue: Well, in my case it's just that I don't have that much inside that's itching to come out. But there seems to be a feeling these days that if it's not individualistic, then it's no good. Individuality isn't something you force out because there's pressure on you to be individual. That's not the real thing. Individuality is something that comes out whether you like it or not after you've been working for years and years to develop your skills. What I was trying to say is that you shouldn't feel frustrated if you're having a hard time forcing out your individuality. Something about that worries me. You can see that struggle especially clearly in kids who've just graduated from art school, where they've been educated to try to find a personal means of expression. I think it'll only wind up being a burden if they come to animation feeling pressured to come up with some new, personal approach to the drawings or the movement. Because, comparatively speaking, animation is hardly the line of work most conducive to personal expression. Say you start working as an inbetweener - you're going to have pretty much zero opportunity for personal expression while you're doing that. So I was just trying to say "Keep your cool". After ten years as a key animator you'll find that your work will be full of personality without even trying.
He isn't part of the Bullet 2 book, either. And it has everyone else from the Imaishi gang: Imaishi, Amemiya, Sushio, Chikashi Kubota, Yoshinari, Yoshigaki, Kobayashi, Hiramatsu.
>>629 >>630
>Alas, we can't tell everything we want in a 25 minutes episode. For all that, we already have a lot more stories that could maybe be done if this project meets a great success. A TV series could then be considered to develop stories about the secondary characters of this LWA.
>trigger in charge of not thinking with their wallets
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Anonymous2013-04-19 14:40
>tv series
>not OVAs
come on
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Anonymous2013-04-19 14:59
OVAs are not doing well these days.
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Anonymous2013-04-19 15:47
OVAs havent done well since the early 90s
Unless he meant doing it like Unicorn
He is not the only one. Akihiro Tamagawa is often considered the best, even better than Masaaki Iwane. He has also done animation since the beginning, but he is not that active so his work is quite scarce.