Return Styles: Pseud0ch, Terminal, Valhalla, NES, Geocities, Blue Moon. Entire thread

I am going to submit this thread to Reddit

Name: Anonymous 2008-05-29 18:39

Fill it with messages to spez.

Name: Anonymous 2008-05-29 19:01

FAIL, NOW DO US ALL A FAVOR AND FUCKING FUCK YOU MOTHERFGUCKC

Name: Anonymous 2008-05-29 19:19

/prog/ is unnewsworthy and ultimately unfunny.

Name: Anonymous 2008-05-29 21:39

reddit - the cancer that is killing /prog/?

Name: Anonymous 2008-05-30 3:38

Hax my anus.

Name: Anonymous 2008-05-30 4:07

   >┴<   ⊂⊃
 -( ゚∀゚.)-            ⊂⊃
   >┬<
            /⌒ヽ
           /(●)(●)   excuse me may i pass through here
           | トェェェイ/
           | /`ニニ´
           // | |
          U  .U
;;⌒::.;;.⌒⌒/   /| ̄ ̄ ̄ ̄ ̄/  ̄/::. :; ;⌒⌒:.:⌒:;⌒;;⌒
..  ,::.;  /   /| ̄ ̄ ̄ ̄ ̄/   /.., ,; .:   ,,。,.(◯)   ::
  : :::., /   /| ̄ ̄ ̄ ̄ ̄/   /,,;  (◯)  ::: ヽ|〃  ;;:
.  ,:.; /   /| ̄ ̄ ̄ ̄ ̄/   /.., ,; :ヽ|〃  ,,。,    ::;;,

Name: Anonymous 2008-05-30 5:09

fail

Name: Anonymous 2008-05-30 7:34

Name: Anonymous 2008-05-30 7:44

HI, I'M PAUL GRAHAM, FOUNDER AND CEO OF Y COMBINATOR. I HAVE MADE MANY INSIGHTFUL STATEMENTS IN MY ESSAY ENTITLED "YOUR MOTHER AND THE 48 VERY SMART PEOPLE" AND WOULD LIKE TO THANK TREVOR BLACKWELL, ROBERT MORRIS AND JESSICA LIVINGSTON FOR HAVING READ DRAFTS OF THIS ESSAY, WHICH YOU WILL BE ABLE TO FIND WITH 21 OTHERS ESSAYS IN MY UPCOMING BOOK "HACKERS AND YOUR SISTER". I GUARANTEE IT.

Name: !WokonZwxw2 2008-05-30 8:23

Wokon was here.

Name: Anonymous 2008-05-30 9:20

>>8
I UPVOTED

Name: Anonymous 2008-05-30 9:34

fail

Name: Anonymous 2008-05-30 10:59

/prog/: the cancer that is killing [b]reddit[/b[

Name: Anonymous 2008-05-30 13:11

>>13
ur wrong bitch

Now let me tell you something about my home theater. My speakers (musical instruments) feature Scanspeak's slit-cone midrange Revlator drivers and matched silk dome tweeters (their best and most expensive drivers). The upper bass woofers are Daton Titanic III 10-inch drivers and the sub woofers are Daton Titanic III 15-inch woofers. The fs is 19 Hz and in their enclosure go down to 16 Hz at 125 dbs measured at one-meter (they rock the house when they achieve room lock). These speakers are 4-way tower floor standers. The cabinets are 2-inch MDF, braced, properly dampened, and stuffed with a proprietary filler. The weight is in excess of 375 lbs each! The center channel speaker uses the same tweeter and midrange driver as the left right towers. The center channel bass is channeled to the left-right tower woofers via the pre-pro (small speaker setting). The center channel also have two Revelator slit cone mid range drivers and the speaker is laid sideways on its own dedicated stand which places it dead center to the bottom of the movie screen. Cross over and phasing are set to eliminate lobing. The rear surround drivers use linium ribbons and 5-inch hexacone drivers with passive 24 db/Oct cross overs which are housed in a a nonresonate aluminum enclosures. These quasi omnidirectional speakers are ideal for surround speakers. They are mounted 7 feet from the floor on the sides and rear of the theater seating area. They are set on the small speaker setting in the prepro, thus utilize the left and right front main speakers woofers for bass below 80 Hz. They, along with the center channel speaker are crossed over at THX's recommended 80 Hz point. The sub woofer consist of a custom built 450 pound enclosure, tune ported per computer analysis which sports two 18-inch drivers. It works down to 12 cycles (- 3 db point which is the limit to our measurement equipment). Its efficiency is 95 db at 1 meter, 1 watt in put. The drivers are made by Focal (Jm Labs) in France. All speakers are padded to a 90 db output at one meter. All speakers are electronically crossed over and triampliefied with Anthem amplifiers @ 200 watts per speaker (each speaker has its own dedicated amplifier)!

My home theater pre-pro is a RDC-7 Integra Research (latest model with all upgrades). My DVD-CD player is Sony's flagship NS999ES DVD/CD/SACD player. Inter connects are Monster M-1000's wires. Speaker cables are good old fashioned 14 gauge Belden, oxygen free copper wire for the tweeters and midrange drivers and 12 gauge for the woofers and subwoofers (more about that later). My video consist of an 84-inch Stewart Grayhawk electric retractable screen. The overhead-front projector is a Sony Hi-Def LCD Cineza (the only dront projector I have ever viewed that projects a picture which looks good when an end table lamp is turned on in the room). I use Monster's line conditioner powered by a TripLite power converter transformer set up. All AC lines are dedicated 20 amp and grounded with a 3-foot copper stake in the ground. TV reception is DSS satellite. All Inter connects are 2 meters or less in length. Speaker wires are 18-ft. or less. My room is 12-feet high, 18.5 feet wide X 23.5 feet long and semi open to a hall, foyer and dining area (which make wonderful bass traps). This, mathmatically, causes a 34 Hz, 45 Hz and 72 Hz 5 db suckout, a mild 3 db suckout at 52 Hz and a huge 12db boost at 62 Hz and a 4 db boost at 80 Hz. This is corrected with an Audio control 1/6 octave bass equilizer (set with calibrated mic and meter), plus judicious phase adjustment to the sub woofers. The bass frequency measurement while in the main seating area of the room (14-feet from the center of the screen) is + 2db, - 1.5 db from 120 Hz to 18 Hz. The entire system from 20 Hz to 11K Hz. (the limit to my hearing) is + or - 2.5 db @ 4.5 meters from the center speaker, while seated as measured on an HP real time spectrum analyzer. Acoustical treatment consists of hung decorator rugs on the back walls, large back wall book case stuffed with books and nic-nacks, an acoustical fluffed (popcorn) ceiling, a 9 X 12-ft. area rug, and very soft, absorbant, dual pleat blinds which may be dropped down on the side walls exactly where the first sound wave launch hits the wall. Speakers are properly placed by comuter and sound meter analysis.

Name: Anonymous 2008-05-30 13:18

Look at it this way.

On most browsers, you can bring up your browsing history by pressing Control-H. (No, this is not going to become a discussion of werecows.) On Firefox, this brings up a sidebar that shows up on the left side of the window. If you put your mouse over the edge of the sidebar, the cursor will turn into a different kind of arrow. By clicking and dragging it, you can move the edge of the sidebar back and forth. You are, to put it another way, manipulating the border between the normal window and the history window. By moving the mouse, you can increase the portion of the window devoted to either part. In a more extreme view of this situation, you're increasing or decreasing the amount of existence the sidebar has.

Now, let's apply this idea to something more abstract. Look out your window. If you don't live in a highly urbanized area, you should be able to see the horizon. Think of this as the border between the land and the sky. The land and sky are obviously distinguishable thanks to this boundary. Now, if you were to "drag" the sash between the sky and the land, or to manipulate the border between land and sky, you would end up causing the sky to become larger and the land to become smaller, or vice versa. An effect of this might be to cause something that was just on the ground to suddenly be hundreds of feet in the air. Truly a frightening situation to be in. So, look at it this way - manipulating the border between two physical things shifts whatever balance there is in the interaction between those things. Alternatively, by manipulating the border between two things, you can change the manner in which they exist.

Still, this isn't *that* abstract, since it's still dealing with real things in the real world. Many believe that in this world, there are those things that are true, and those that obviously aren't. This divides reality into two extremes: truth and falsehood. But, since we have two extremes, logically one can imagine a boundary between those two extremes - the border between truth and lies. If one were to manipulate this border, suddenly things that were pure fantasy (flying pigs, for the sake of argument) have become reality - or things from reality have ceased to exist. This is how Yukari is said to have invaded the moon - by manipulating the border between truth and lies, as applied to the reflection of the moon on a pond, she was able to make the reflection of the moon into a manifestation of the actual moon, and so send her youkai army onto it. This is what's truly amazing about Yukari's power - the ability to manipulate the border between completely abstract concepts allows her to fundamentally change reality as we know it (at least in terms of two abstract concepts).

Name: Anonymous 2008-05-30 13:36

>>15
First of all, if you had all of the world's best audio and acoustical engineers, plus speaker manufacturing engineers come together and they took 10 years to develop and produce the most accurate sound reproducer in the world...something that might cost nearly $1,000.000.00, they will end up sounding no better than the room in which they are installed. Therefore, what is a good sounding speaker can best be answered by putting your horse before your cart. Get your listening room acoustically correct first, otherwise, you are whisteling dixie. If you think your Maggies sound good, put them in an accoustically corrected room and they will sound magnificent! Put them in a room which is an acoustical nightmare and you'll beat them to death with a sledge hammer.

Many falsly judge the sound of a speaker because what they are hearing is bad room acoustics, electronics, software, etc. Before you judge any speaker, you must first examine what's going on in the chain of events from the moment the recording of a piano's middle C note resonates from the C string of the piano after the piano's hammer has struck it to the split second you heard it from your speakers.

Strike a middle C key on a piano with a quarter pound of pressure. A hammer strikes the C string. The C string resonates (vibrates) pushing molecules of air at a specific frequency (vibration) which a muscian would call middle C (sorry, I do not have the exact mathmatical frequency number to give you handy). Vibrating air is being moved omnidirectionally. The moving air bounces off the piano sound board, the walls of the facility in which the piano is placed, and numerous other objects, too. At the speed of sound this confused mass of moving molecules (air) funnels through holes and slots of a microphone and strikes the microphone's diaphram, which, in turn, generates minute electrical signal through a resistive and capacitive wire until it is picked up by an analogue to digital converter (turning an analogue electrical wave into zeros and ones), then on to a small amplification stage, which in turn makes the signal stronger than it originally was in a digital format.

Now, follow me on this... a small applification device (called a digital pre-amplifier) sends this stronger signal (more zeros and ones) to a control center. The zeros and ones tend to misbehave (jitter) as they are moved down their respective paths of wires to a full bank of filters, amplifiers, and other electron modifying devices (equilizers, compressors, volume controls, polarity inverters, etc., all of which ad to and magnify distortion). In other words, we no longer have a sound which approaches the real sound. Once the zeros and ones (rearranged electrons) have been minipulated by the sound engineer (who decides what the piano C string should sound like...which, incidently, is not what it really does sound like), they get burned into a mastering disc or tape used in the mass production of digital discs. You now have a recording of a greatly distorted middle C piano note.

Okay, wonderful! Now what? Assuming the mass production of the compact disc is bit by bit perfectly matched to the master disc or tape, you take the disc and play it back through a Compact Disc Player. This player's laser beam determines how high or low thousands of these pits are which then, by electronic values, determines the C note's pitch, volume, overtone, and numerous other audio side effects). This data (clusters of zeros and ones) are sent racing down a cable at the speed of light to a preamplifier. The preamplifier (a distortion producing device in its own right) converts the zeros and ones to an analogue signal, which inturn sends that signal (electrons) to an amplifier (another distortion causing device) which greatly amplifies and exagerates the analogue signal it received and sends it at the speed of light down another capacitive and resistive set of speaker cable wires to a noise producing device called a loud speaker. So, even if your speaker could reproduce sound exactly as the original sound sounded, the processing of the original sound has, at this point been dramatically distorted.

So, my dear audiophile friend, does it matter if your speakers are accurate? If they are, you are simply reproducing the distortions caused in the recording process, room acoustics and many other variables to be reproduced accuratly. Just what every audiophile dreams of...accurately reproduced distortion!

After your noise maker (loud speaker) has responded to the distorted electrical signals it receives the walls and invionment within the walls in which the speaker is housed now compound the distortions and add to them. In other words, you are hearing (1) a distorted recording of the first wave of sound molecules which reached the microphone. (2) A millasecond later you hear the reverberation of the original sound of the C note caused from reflection of the C note sound bouncing off the recording venue's walls. (3) Next you hear a compounded distortion of the originally distorted C note as it comes forth from your speakers...we call this the original wave launch (mass movement of molecules headed toward your ears). Next, the middle C note hits your ears. (4) A millasecond later, those same molecules bounce off the walls of your room and room objects, and come back to your ears. Now you are hearing the sound again, a millasecond later, distorted from its original pitch, volume and timber. You no longer are hearing the original sound of the middle C piano note. So why does it matter if your speakers are accurate?

Now, are you ready for this...here comes the hypnotics! Audiophiles when listening to the piano's middle C note played over their he-man hi-fi will swoon and declare how "real" the sound is. With great enthusiams they proclaim, "My God, it sounds like a real piano playing a C note in my living room!" Now, I ask you, how could this be in consideration of what really happened to the C note?

What is going on is psychoacoustics and audiophile hypnotics.

I am a board certified clinical hypnotherapist. I have a Ph.D. in Clinical Hypnotherapy. I have 32 years of practice experience. I teach clinical hypnotherpay to psychologist, M.D.'s and dentists. I have written many scientific papers on the subject of modification of human behavior with use of hypnotics (see web site www.newlifeclinics.org. I can tell you that much of what you observe, and read regarding subjective audio experience regarding hi-fi gear and the like is purely placebo, and hypnotic in nature..

You must realize that the sound you hear over your loud speaker system, in reality, cannot approach the sound that took place in the original recording venue. What is an audiophile to do?

If you want me to write a rather breezy S.A. on audiophilism which will advise you as to what a good listening room, electronics, and speaker system should do and sound like, then simply e-mail your request to me and I will respond on this site in this section.

My best regards to you and all audiophiles.

Robert *. Dean, Ph.D.

Name: Anonymous 2008-05-30 13:37

You guys are so random XD
On this topic, didn't realize there were many text forums here, I only visit the ones with pictures, since AdSense brings me serious cash with my 'chan-blog' of pictures I grab from here.

Name: Anonymous 2008-05-30 14:00

>>17
What is this ``picture'' thing you speak of?  Mayhaps you are referring to the abomination of evil, the corrupter of souls, the haxxor of anii, the forced indentation of code: fourchon?

And how do the images help you get more visits?  An image is not equivalent of a thousand words in the eyes of Google.

Name: Anonymous 2008-05-30 14:10

>>15
The first anime I ever saw was "Revolutionary Girl Utena" the movie. I was attracted to it because it was bizarre and new. It hit me at a vulnerable time; my father and mother had just been murdered. I became obsessed with the "emptiness inside" theme of the movie, and felt that this related to my life somehow. I watched Evangelion next, and absolutely loved the depressing feeling both of these shows left me with. I am a person who loves depressions; I feel that I am at my most creative and "raw" when utterly depressed. The empty feeling these shows gave me filled me with emotions I wanted to recapture.



Like an addict seeking another hit, I kept downloading more and more programs, watching tons of shows. At one point, I had two shoeboxes full of CD-r's packed with Anime programs. I had a library of just about every show ever made. I became obsessive, but I wasn't finding that feeling that was originally there. Sure, I could recapture it with great stuff like Serial Experiments: Lain and Millenium actress, but that was only for a moment.



Eventually, I stopped watching the shows I was downloading, but just grabbed them for the sake of having them. I had to have more. I bought DVD's and didn't watch them. Gradually, over time, I felt my aesthetic become warped. What once was strange and bizarre looking character design became familiar; I sought it out. If I caught a glimpse of an anime style character in real life, I felt a rush; almost as if my hindbrain saw it before I was aware of it. I was visiting a Japanese tea Garden and saw real life schoolgirls in the familiar navy blue fuku uniforms. I was fascinated by them; I was drawn, attracted, but not in a sexual way; it blew my mind to see something in real life that I had before seen only in the abstract.



A familiar feeling came through me when I saw them. I felt the same at that moment as when I had first seen Utena, when I had first finished Evangelion. My obsession took a new direction.



I bought several sailor fuku uniforms from online retailers. J-list was too expensive and didn't sell in the size I desired. I had to have the legitimate stuff. At first it was satisfying to just look at the uniforms. I would keep them clean, iron them, and hang them up every day. The ritual was soothing to me.



Sooner or later I had to do it. I had to wear the uniforms I had treasured. I am proud to report that it took me a few months to break down, to really cross the threshold into utter depravity. After that line had been crossed, though, there was no going back. Tentatively, I started by simply wearing the uniforms around the house. I would wake up very early, before anyone could glimpse at me from outside on the street, and simply do my cleaning and cooking wearing the various uniforms I purchased. I got a matching apron. I would pretend I was getting ready for Japanese High school.



Soon, though, wearing the uniform in private was not enough. I purchased a duster trenchcoat and began walking through town wearing my outfit. Nobody knew, and this made me comfortable. But, again, this soon became insufficient to satisfy my obsession.



I began stalking this girl I knew, Sarah. I checked out her routines; when she left for work, when she got back, what time she went to bed. At first I furtively ventured into her place with my uniform under my trench coat while she was away. I knew where her spare key was because I had helped her move earlier. Speaking of this, I'm a pretty beefy guy. I weigh around 240-260 pounds, but I'm not that tall. A great friend to have if you need to move.



Anyway, gradually, I became more comfortable in her apartment. I started doing stuff like rolling around in her bed, stealing her underwear and putting it in little plastic bags, soforth. As you would expect, I became more and more comfortable doing this, and crossed a line. She came home unexpectedly one day, early from work. Panicked, I hid under the bed in my uniform. Immediately, as she came through the door, she spotted my trench coat. Lying under her bed, the sound of my heavy breathing seemed a thousand times louder than it actually was. I could hear her rooting through the trench coat, and could hear the wrinkling of celophane as she found my empty plastic bags. Thank god they didn't yet have her used underwear in them.



I put my sweaty, meaty hands together and prayed.



I heard her walking around the apartment. Thankfully, she didn't bring anyone with her. My mind was flashing; the excitement had triggered my epilepsy. Suddenly, I was barraged with memories from my first anime program, revolutionary girl utena. I heard her walking around some more, and then sit down on the bed. I saw her clothes come off and hit the floor in front of me. During this time I was controlling myself and having a minor epileptic fit. I could see transformation sequences from anime programs I had watched. It was all coming together; the near hallucinations, the girl in the bed above me, and most of all, my sweaty fuku uniform.



She approached the bathroom and got into the shower. She turned on the water. I was convinced that this was the one moment I had been searching for. This was my chance to cross over into the other world described in Utena; the fabric of reality was thin. I could taste it. In many of my anime programs I had seen the seemingly normal characters, like me, enter into a world of magic and joy.



I rolled out from under the bed and bounded into the bathroom. She saw my large form approaching through the glass of the shower and started screaming. I was having epileptic flashes; the screaming sounded just like "KYAAAAAAAAAAAAAAAH" I was having trouble walking, my steps staggered. I couldn't feel the floor. My meaty hands slammed the shower door open, but she sprayed me with a jet of water. The water triggered another fit and I seized, falling into the bath. She tripped and fell on top of me. As she was screaming and my blood filled the bath, it swirled around reality, and intermingled in my mind. Her screams, the blood, my sweat, the uniform, Japan, schoolgirls, magic, tragedy, terror, and hope all become one to me. For one moment, I could taste it. The anime reality. It was here, like a precious jewel perched between my meaty, sweaty pectorals. And then, gone.



SO yeah I like anime

Name: Anonymous 2008-05-30 14:18

>>19
SO yeah I like anime
yah me 2 ;)

Name: Anonymous 2008-05-30 14:38

>>20
Anime is shit

12 year old crap that nerds think is cool because it usually portrays losers somehow becoming loved.  Or it shows 12 year old girls that you in your horrible self esteem and small cock fear find attractive because they have no knowledge of good sex.

Name: Anonymous 2008-05-30 14:56

My other car is a cdr ROFL XD

Name: Anonymous 2008-05-30 15:08

>>21
So?  I enjoy it, and that's what matters to me.  By the way, I am a proud weeaboo, and I always suppress my powerlevel when I'm not alone.

Name: Anonymous 2008-05-30 15:08

>>1-23
Same person, and we have beet trolled the whole time.

Name: Anonymous 2008-05-30 17:15

And this is why we don't submit /prog/ to reddit.

Name: Anonymous 2008-05-30 23:31

FAIL FAIL FAIL FAIL FAIL FAIL FAIL FAIL FAIL FAIL FAIL
MOTHERFUCKING FAIL GOD DAMMIT YOULITTLE MOTHERFUCKER

Name: Anonymous 2008-05-31 1:24

Upvoters have a different opinion.

Name: Anonymous 2008-05-31 1:31

gtfo

Name: Anonymous 2008-05-31 3:28

>>28
ok

Name: Anonymous 2008-05-31 4:28

FAIL FAIL FAIL DIPSHIT FAIL FAIL

Name: Anonymous 2008-05-31 6:11

I understand that fail in 4chan lingo no longer mean anything, but you seem to miss that this thread is actually a clever imitation of [I am going to email this thread to GJS ](http://dis.4chan.org/read/prog/1202783375)

Name: Anonymous 2008-05-31 6:18

>>31
but you seem to miss that this thread is actually a clever imitation of [I am going to email this thread to GJS ]
no it's not. gtfo fail everywhere

Name: Anonymous 2008-05-31 7:13

Name: Anonymous 2008-06-01 12:59

A girl died in 1933 by a homicidal murderer. He buried her in the ground when she was still alive. The murdered chanted, "Toma sota balcu" as he buried her. Now that you have read the chant, you will meet this little girl. In the middle of the night she will be on your ceiling. She will suffocate you like she was suffocated. If you post this, she will not bother you. Your kindness will be rewarded.

Name: Anonymous 2008-06-01 13:14

>>34
I will await her.

Name: Anonymous 2008-06-01 13:16

>>35
Are you going to rape her ghostly ass?

Name: Anonymous 2008-06-01 13:48

>>34
You know, as soon as I read the first sentence I knew this was a "POST THIS OR DIE" pasta. But if I didn't read the part where it says that the girl will wake up from the dead and kill you during your sleep if you don't repost it 10,000 times, what happens? Will I get killed anyway? Because you see, I can't really be blamed for not reposting if I didn't read the repost part.

Name: Anonymous 2008-06-01 13:57

>>37
If you can't lose your life, you will lose oh wait you already know nvm

Name: Shirou 2008-06-01 14:01

>>38
But, people die when they are killed!

Name: Anonymous 2008-06-01 14:07

>>36
That is what I have planned, I intend to cut her lines slightly and have my way with her body before stabbing her point of desu.

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